ABSTRACT
The content of the treatise enlightens two fundamental views on publishing books in the emigrant environment. On the one hand that is a unique literary pleasure for the both, the author (declaration) and the reader; on the other hand, beside literature books other are being published in emigration, which have above all an informational-documentation intention. That fact is even more important with themes that enlighten the events during the War (1941-1945), as the Slovene after-War history was dealt in black and white; some themes were “tabooed” (for example the returning and the killing of domobranci (members of home guards) and as such not dealt with until the middle of the seventies.

ABSTRACT
The content of the treatise enlightens two fundamental views on publishing books in the emigrant environment. On the one hand that is a unique literary pleasure for the both, the author (declaration) and the reader; on the other hand, beside literature books other are being published in emigration, which have above all an informational-documentation intention. That fact is even more important with themes that enlighten the events during the War (1941-1945), as the Slovene after-War history was dealt in black and white; some themes were “tabooed” (for example the returning and the killing of domobranci (members of home guards) and as such not dealt with until the middle of the seventies.

ABSTRACT
The study includes an analysis of the presence of Slovene emigrant literature in the native culture, in literary sciences and in education. The analysis is schemed chronologically and includes comparison of the role of emigrant literature in Slovenia by individual decades after World War II. Within the frame of its’ changing role in the native culture, publishing houses in Slovenia, active in that field, the Slovene editions of emigrant anthologies, and cultural magazines in homeland that have interest in emigrant writers, are presented. An analysis follows on dealing emigrant literature in fundamental literary-historical surveys and in lexicons and in other scientific and professional publications in serial and non-serial publications. In continuation results of the research on integration of emigrant literature in primary and secondary schools education contents and in university studying programmes are summed up. In her conclusion the author gives concrete suggestions for a more vital incorporation of emigrant word art into modern Slovene culture.

ABSTRACT
The study includes an analysis of the presence of Slovene emigrant literature in the native culture, in literary sciences and in education. The analysis is schemed chronologically and includes comparison of the role of emigrant literature in Slovenia by individual decades after World War II. Within the frame of its’ changing role in the native culture, publishing houses in Slovenia, active in that field, the Slovene editions of emigrant anthologies, and cultural magazines in homeland that have interest in emigrant writers, are presented. An analysis follows on dealing emigrant literature in fundamental literary-historical surveys and in lexicons and in other scientific and professional publications in serial and non-serial publications. In continuation results of the research on integration of emigrant literature in primary and secondary schools education contents and in university studying programmes are summed up. In her conclusion the author gives concrete suggestions for a more vital incorporation of emigrant word art into modern Slovene culture.

ABSTRACT
The activity of Slovene emigrants is variegated and mainly in one way or another connected with the cultural-artistic filed. It can be individual, when we speak of individuals-creators, or organised. For an external observer it shows at various performances, festivals and meetings. We can thus arrange the activities of Slovenes in countries of Western Europe into three groups: 1. Activity, connected with performances of guest groups or individuals from Slovenia among Slovene emigrants; 2. Visits of emigrant groups or individual creators to Slovenia; 3. Activity that is realised through cooperation of emigrants among themselves. The latter is intended for emigrants, sometimes to the environment in which they immigrated to. It places the emigrants as performers of their own activity and at the same time acquaint non-Slovene environments with Slovene culture. When we speak of the significance of the cultural artistic activity among emigrants, we must necessarily point out its important role in preserving ethnic (national) identity in the first generation of emigrants, and particularly with their descendants.

ABSTRACT
The activity of Slovene emigrants is variegated and mainly in one way or another connected with the cultural-artistic filed. It can be individual, when we speak of individuals-creators, or organised. For an external observer it shows at various performances, festivals and meetings. We can thus arrange the activities of Slovenes in countries of Western Europe into three groups: 1. Activity, connected with performances of guest groups or individuals from Slovenia among Slovene emigrants; 2. Visits of emigrant groups or individual creators to Slovenia; 3. Activity that is realised through cooperation of emigrants among themselves. The latter is intended for emigrants, sometimes to the environment in which they immigrated to. It places the emigrants as performers of their own activity and at the same time acquaint non-Slovene environments with Slovene culture. When we speak of the significance of the cultural artistic activity among emigrants, we must necessarily point out its important role in preserving ethnic (national) identity in the first generation of emigrants, and particularly with their descendants.

ABSTRACT
Milan Komar (born in 1921) is a Slovene emigrant philosopher who lives and works since 1948 in Argentina. His research work went from medieval philosophy through Wolff and Kant to Hegl, Marx and to modern phenomenological and existential philosophical streams. He also studied linkages between the discoveries of the antique and medieval philosophy, and those of modern psychological and psychiatric science. Komar had many scholars and successors as his professional work in Argentina was named “Escuola di Komar”.

ABSTRACT
Milan Komar (born in 1921) is a Slovene emigrant philosopher who lives and works since 1948 in Argentina. His research work went from medieval philosophy through Wolff and Kant to Hegl, Marx and to modern phenomenological and existential philosophical streams. He also studied linkages between the discoveries of the antique and medieval philosophy, and those of modern psychological and psychiatric science. Komar had many scholars and successors as his professional work in Argentina was named “Escuola di Komar”.

ABSTRACT
The cultural creativity of Slovene emigrants in South America in the last decade was undoubtedly marked by the independent Slovenia and by the transition from the one-party and ideologically determined system to the system of parliamentary democracy. In Argentina, where the majority of people of Slovene origin live, a new model of cultural activity arose. The Slovene political emigration as well came into “contact” with the homeland as it was before “cut” (self-isolated) from the native country.

ABSTRACT
The cultural creativity of Slovene emigrants in South America in the last decade was undoubtedly marked by the independent Slovenia and by the transition from the one-party and ideologically determined system to the system of parliamentary democracy. In Argentina, where the majority of people of Slovene origin live, a new model of cultural activity arose. The Slovene political emigration as well came into “contact” with the homeland as it was before “cut” (self-isolated) from the native country.